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Opinions

Two days after I have watched the movie I can still not decide if I liked it or not. There are some moments in the movie which continue very slowly, some where one stopps breathing of beeing so excited and others which give you a reason to laugh or at least to smile. The ending for example is sagging but still the last scene, which is left open, suprised me a lot. Also the music is chosen very adequate and empathetic.

von Charlotte Kleine, 12

A film I would not recommend for children under the age of 14 because of the rather complex plot and the particular structure the director has used to show the audience a child’s difficult mind. The young actor, who I must say has performed the role of an intelligent but childish juvenile extraordinarily well, has brought so many interesting aspect of life to my mind. A movie to enjoy and think about.

von Awa Cefalu, 16

The universal struggle to grow up is something anyone can relate to, even when complicated by the intricate and numerous mysteries and plotlines that make the movie HaDikduk HaPnimi. The fact that only many of these smaller subplots are not wrapped up or explained weakens the film, but overall the open ending gives the film an added layer of depth that some like I appreciate, but some will complain leaves too much to the imagination.  

von Nico Palesch, 15

The coming-of-age of an artist is shown by an extraordinary cast, who fit into a problematic every-day-life with their gestures and facial expressions. Sad but beautiful music for piano or strings accompany the story of a boy who wants to finally grow up. At times, the story is a little slow, but the open end gives a fine finale: sad, but beautiful.

von Finja Berresheim, 15

Kplus: FEATURE FILMS

Intimate Grammar

HaDikduk HaPnimi

Director: Nir Bergman

Israel 2010 / 110 minutes

with: Orly Zilbershatz, Roee Elsberg, Yehuda Almagor, Evelyn Kaplun, Yael Sgerski, Eden Luttenberg

Languages: Hebrew

Schedule

Sa 12.2. 12:30
HKW 1

Su 13.2. 14:00
CinemaxX 3

Tu 15.2. 16:30
HKW 2

“If we fight and one of us couldn‘t stand it anymore, we‘d have these signals. Like sticking a coin in the electricity pole near your house. We‘ll come up with seven signals, the last will be an SOS flashing a mirror into the other‘s room.“

Jerusalem in the early sixties. The political climate has temporarily calmed down. However, Aharon is in a state of crisis. His head is full of weighty ideas about love, betrayal and conjuring tricks. But compared with his best friend Gidon, this great thinker seems rather puny. Aharon’s mother is convinced that he’s staying small on pur- pose, and his father does little to gain his respect. Aharon arranges the end of his childhood himself. After all, if you want to grow up, you do have to grow.

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